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Episode 12: Idols and Idioms

While I developed some of my English proficiency at school, I think most of what I learned in the first two years of life in the U.S. came from pop culture. I had spent the majority of my sixth-grade school year quietly observing and listening. During that time, a large part of my education consisted of TV shows, commercials, and top 40 radio.

Gee Your Hair Smells Terrific ad and bottles

Television was an excellent teacher, being always there, consistent, and repetitive. While the shows were a bit more challenging, as far as the dialogue was concerned, commercials were easy! Selling product lines to the mass market, companies tended to use slogans, making it easy to learn entire phrases, such as Gee, your hair smells terrific! or I told two friends, and they told two friends, and so on, and so on, and so on or no more tears! And it wasn’t that I learned to say the slogans. What I learned was the meanings of words like gee, and the meanings of phrases such as no more, and so on.

The same was true for jingles. The memorable ones, such as the Kit Kat or the Band Aid jingles, got stuck in your brain and made it possible to learn not just words and phrases, but idioms, those elusive word combinations that mean something completely different than the sum of the meanings of their individual words. How else could I understand the meaning of phrases such as give me a break or stuck on fill in the blank?

The radio also taught me a lot. KC and the Sunshine Band, for instance, taught me what a booty was and why one might want to shake it.

Orleans helped me to understand what it took to be the one for someone.

And Elton John and Kiki Dee explained that breaking my heart is not a medical term.

All very helpful, to be sure, but nobody, and I mean nobody, was more educational through song than Andy Gibb! I Just Want to Be Your Everything was released in the summer of 1977, and I hung on his every word whenever the song played on the radio!

For so long
You and me been findin’ each other for so long
And the feelin’ that I feel for you is
More than strong, girl
Take it from me
If you give a little more than you’re askin’ for
Our love will turn the key

Darlin’ mine
I would wait forever for those lips of wine
Build my world around you, darlin’
This love will shine girl, watch it and see
If you give a little more than you’re askin’ for
Your love will turn the key

I, I just wanna be your everything
Open up the heaven in your heart and let me be
The things you are to me
And not some puppet on a string
Oh, if I, if I stay here without you darlin’ I will die
I want you layin’ in the love I have to bring
I’d do anything to be your everything

This was way more than just verse, chorus, verse, chorus. It was a love poem.

He followed this up with (Love is) Thicker Than Water, another ode to love, full of pain and longing and self doubt.

Love is higher than a mountain
Love is thicker than water
You are this dreamer’s only dream
Heaven’s angel, devil’s daughter

Say, my mind, should I go with her on silent nights
She’ll drive me crazy in the end
And I should leave this paradise
But I can’t leave her
While I need her more than she needs you
That’s what I’m living for

And then, in 1978 there was Shadow Dancing. It was disco, and it was pop, and it was everything! As an added bonus, by 1978 I was able to understand that this wasn’t just about the emotional or metaphysical aspect of love. This was about action! The other major difference was that, in the era of fairly old-looking, scruffy, not-terribly-attractive male singers, Andy Gibb stood out! There were teen idols and heart throbs — Sean Cassidy, David Cassidy, Leif Garret — but they were manufactured stars. Andy Gibb was the real thing! The youngest of the Gibb brothers, he was beautiful, and soulful, his voice slightly raspy and slightly husky, but clear and soaring on high notes. He seemed to feel every word. He rode the music, rising and falling with the melody, his heart breaking with every note.

You got me looking at that heaven in your eyes
I was chasing your direction
I was telling you no lies
And I was loving you
When the words are said, baby, I lose my head
And in a world of people, there’s only you and I
There ain’t nothing come between us in the end
How can I hold you when you ain’t even mine
Only you can see me through
I leave it up to you

Do it light, taking me through the night
Shadow dancing, baby you do it right
Give me more, drag me across the floor
Shadow dancing, all this and nothing more

I won’t say that it was my first awareness or awakening, or anything. After all, in Ostia in the summer of 1976, I had had my first crush, and there were boys at school that I had noticed. The difference now was that I was hearing ideas in pop music than were more than just “let’s dance” or even ” I love you.” Turns out, lots of songs on the radio by 1978 were about, well, you know. And that was a whole other kind of education.

Hebrew alphabet

That summer, I had completed grade 7 and was well on my way to becoming a fully-assimilated American teen. My family had gained some stability, too, with my father being employed at a local dental office, my mother becoming more and more acclimated, and my brother having survived his first year in school, too. Unfortunately, my brother’s experience wasn’t great. My parents, following the advice of well-meaning new acquaintances, had enrolled my brother in the Hebrew school offered through the local Jewish Community Center. Apparently, his classmates weren’t as kind to him as mine had been to me. They referred to him is “that Russian kid” and teased him about his clothes. I think my parents had sent him to school overdressed too, not having learned from my sixth-grade sartorial disaster. But they saw that he was miserable and were planning on public school for him for the next fall.

As part of their attempts to more fully integrate into the small Jewish community of Louisville, my parents had signed me up for Hebrew language classes, as well as for a day camp operated by our Jewish Community Center. The Hebrew language classes were a bust, as I refused to learn a whole new language again, since I had no plans to ever use it. I also didn’t have much interest in religion, and it didn’t look as if my parents were intending to become observant Jews, anyway. They tried going to Temple a couple of times, but as adults for whom being Jewish was a matter of ethnicity, not belief, becoming observant in their 30s was more than they wanted. But I did go to the day camp.

One of the trips the day camp offered was a weekend visit to the lake cabin owned by one of the families. Approximately thirty of us, aged 12-13, were driven out to the lake in the school bus for the occasion. When the bus pulled up to the structure that would shelter us for the weekend, I experienced something similar to what I had felt upon seeing all those gigantic cars in the parking lot of JFK airport.

I had read enough and spoke English well enough by then to know what a cabin was, so I expected a small, one- or two-room house about the size of our apartment. This was no cabin. It was a palace in the woods, a two-story mansion with huge windows that faced the lake on one side and the forest on the other, several living areas with comfortable couches and chairs and killer stereo systems, five or six bedrooms, several bathrooms, a large deck, and of course, its own private boating dock. The fact that it was, on the outside at least, made of logs, did not qualify it as a cabin, in my opinion.

Not that I was complaining. There was plenty of junk food, swimming in the lake, wandering around in the woods, a bonfire, and music! I’m sure there was adult supervision, but frankly I don’t remember seeing a whole lot of adults. I do remember having a lot of fun swimming and wandering around, and just hanging out.

The second evening of the trip, I was out walking the trails with a couple other girls. You couldn’t call it hiking, but we did manage to get pretty far into the woods after about thirty minutes of wandering. We found a clearing with some tree stumps and decided to take a break. We were sitting around, chatting about not much of anything, when a group of boys materialized out of the woods. They weren’t part of our group, but what difference did that make? They joined us, and we sat around in the clearing, not really talking, as the afternoon turned to evening, and it got kind of dark.

Thinking about it now, it was probably not the safest situation. I probably should have been scared, but I wasn’t. Suddenly, the boy closest to me, the one I had been barely chatting with, leaned in and said quietly, “Have you ever French kissed?” I hadn’t. “Want to?” he asked. I did. He kissed me. Then, I was breathing again, and the boys were gone. Did the other girls also get kissed? No idea. We didn’t talk about it, just got up and made our way back to the cabin.

That night, there was a bonfire, and we were back in time to roast marshmallows (another first for me). Over the fire and the laughter, Peaches and Herb were singing.

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